Stanley Kwan’s view in this film is both personal and collective memories towards Hong Kong in 1997. He cites one famous line from Cantonese opera ‘Princess Chang Ping’, ‘I deny,…

One of Hong Kong’s most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung’s directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year…